Showing posts with label holy name. Show all posts
Showing posts with label holy name. Show all posts

Sunday, February 1, 2009

Q&A: Making up for lapses in devotional practices: What to do if one has been unable to complete his daily vows?

Q: What should one do if for some reason he's been unable to complete the daily devotional vows concerning the chanting of harinama or diksha-mantras, or puja?

A: It should be understood that there is no wonder trick by the doing of which the neglect of a previous day's devotional activities could be complemented whilst hoping to attain an equal result. One's daily devotional activities are nitya-niyamas, perpetual vows. One should not seek for ways to occasionally avoid them for the sake of one's leisure and pleasure. raghunAther niyama, yena pASANer rekha! - "The vows of Raghunath were like streaks on a stone." One should strive to embrace such firmness of practice to attain success in his devotional pursuits.

It may be that on account of some unforeseen, insurmountable obstacle one's devotional practice is compromized. If that is the case, some remedial measures have been taught in the Vaishnava-smriti and heard from the mouths of the sadhus. Yet, one should not, on their strength, neglect one's devotional vows in a calculated manner, "If I don't fulfill my vows of bhajan today, then here's what I need to do tomorrow to make up for it. Let me therefore leave it for tomorrow." No! This will imbibe the flaw of nAmno balAd yasya hi pApa-buddhiH, to assume that one may misbehave on the strength of devotional worship.

One should think, "I must complete my daily nitya-niyamas. I must." Just as one wouldn't leave a child unfed and uncared for a day, one mustn't leave one's tender bhajan unnourished, and one mustn't keep his Thakur waiting. Utsaha and dhairya, enthusiasm and fortitude, are vital in the growth of bhakti (Upadeshamrita 3); without them, devotional progress is halted.

Should a lapse occur on account of excessive and unavoidable seva or some formidable obstruction, the general principle is that one should do more than the remaining balance as a matter of devotional atonement, with a sincere feeling of unworthiness as Thakur's servant. One must understand that the daily niyamas are a part of a living personal relationship with Thakur, not a matter of ritualistic, obligatory observance. They are our expression of longing, of our heart's budding love.

The 19th chapter of Hari-bhakti-vilasa (19.1038-1039) notes, in the context of worshiping the deity:

ekAha pUjAvihitau kuryAd dvi-guNam arcanam |
tri-rAtre tu mahA-pUjAM samprokSaNam ataH param ||
mAsAd Urdhvam anekAhaM pUjA yadi vihanyate |
pratiSThaiveSyate kaizcit kaizcit samprokSaNa-kramaH ||

"If worship has been forsaken for a day, one ought to worship twice. If three days have passed, one should perform great worship with the bathing ceremony. If the worship has been repeatedly neglected for the duration of a month, some hold that installation should be done anew, while others recommend the bathing ceremony and so forth."

Such worship should be done in the spirit of apology, calling out for the Lord, begging him to again receive our worship, with firm determination that such neglect will not occur again.

Manohara-bhajan-dipika, discussing what ought to be done in the event that the chanting of the names has been halted for a day, states that one must then, on the following day, perform four-fold the daily vow. For example, if one's vow has been for 50.000 names daily, one should then chant 200.000 names, discarding all unneeded activity to arrange for time for its performance. In the event that daily vow has not been neglected but has been compromised, then doing the vow two-fold is sufficient.

For those chanting the Names in excess of one lakh, the four-fold atonement is not practicable for obvious reasons. Rarely it is seen, though, that someone with a lakh's daily vow would halt his nama-bhajan altogether for a day! Regardless, if their nama-bhajan has been compromised, they should chant a substantially increased quantity in proportion to their daily vows on the following day to atone for the neglect of Nama Prabhu's daily worship.

The above also applies for the chanting of the diksha-mantras and other quantifiable practices. If the practices neglected are not of a nature that could be quantified, one should sincerely regret having neglected the said practice and thereby a precious opportunity for acts of devotional worship, praying for a new opportunity. With that, one should make arrangements to see that the situation leading to the neglect will not occur again.

Thursday, January 22, 2009

References to Maha-Mantra - Early Sources

The following is a slightly contextualized compilation of references on the Hare Krishna maha-mantra from the era predating Sri Chaitanya. Regrettably many of them are from second-hand sources and as such lack proper exact references.

In the Radha Hridya Khanda of the Brahmanda Purana, Romaharsana Suta prays to Sri Veda Vyasa as follows:

yat tvayA kIrtitaM nAtha hari-nAmeti sanjitam |
mantraM brahma-padaM siddhi karaM-tad-vad-no-vibho ||

“O master, O mighty one! Please glorify the Hari-nama mantra situated in transcendence, the cause of all perfection!”

gRhaNAd yasya mantrasya dehI brahma-mayo bhavet |
sadhyaH pUtaH surApo ‘pi sarva-siddhi-yuto bhavet
-ahaM te ‘bhidhAsyAmi mahA-bhAgavato hamsi ||
hare kRSNa hare kRSNa kRSNa kRSNa hare hare |
hare rAma hare rAma rAma rAma hare hare ||
iti SoDazakaM nAmnAM tri-kAla kalmaSApaham |
nAtaH parataropAyaH sarva vedeSu vidhyate ||

“The embodied soul who accepts this mantra will become filled with transcendence, and by accepting it, even a drunkard will attain all perfections. I will recite this mantra to you, for you are a swan-like maha­bhagavata. ‘Hare Krishna Hare Krishna Krishna Krishna Hare Hare, Hare Rama Hare Rama Rama Rama Hare Hare.’ These sixteen names can destroy the sins of the three worlds, and nothing higher than them is to be found in all the Vedas.”

Agni Purana states:

hare kRSNa hare kRSNa kRSNa kRSNa hare hare |
raTanti halayA vApi te kRtArthA na saMzayaH ||

“Hare Krishna Hare Krishna Krishna Krishna Hare Hare: Whoever chants this mantra, even neglectfully, will attain the supreme goal of life. Of this there is no doubt.”

Padma Purana states:

dvAntriM-sad-akSaraM mantraM nAma-SoDa-zakAnvitam |
prajapan vaiSNavo nityaM rAdhA-kRSNa-sthalaM-labhet ||

“Any Vaishnava who chants the mantra consisting of thirty-two syllables and sixteen names will attain the abode of Radha and Krishna.”

The following statement on the congregational chanting of the Hari-nama maha-­mantra also found in the Padma Purana:

harer nAma mahA-mantrair nazyet pApa pizAcakaM |
harer agra svarair uccair nRtyaM stan-nAmakrin-naraH |
punAti bhuvanaM vipra! gaGgAdi salilaM yathA ||
hare pradakzinaM kurvann uccais tan nAma krin naraH |
karatAlAdi sandhAnaM susvaraM kAla zabditam ||

“Anyone who dances in front of Sri Hari and loudly chants the hari nama maha-mantra will destroy all witches of sin. Just as the water of sacred rivers like the Ganga purify the universe, similarly those who circumambulate Sri Hari and loudly perform nama sankirtana of the 16-word maha-mantra with sweet voices and while clapping the hands, purify the entire universe.”

The Hare Krishna maha-mantra is also related in the Brahmanda Purana, Uttara­khanda, 6.55. The Pippalada-branch of the Atharva Veda states:

svanAma-mUla-mantreNa sarvaM hlAdayati vibhuH |
sa eve mUlam-mantraM japati haririti kRSNa iti rAma iti ||

“The name is the root of all mantras, the splendid one bringing joy to everyone. This root-mantra is chanted as Hari, Krishna and Rama.”

Kali-santarana Upanisad (2) of Krishna Yajur Veda states:

hare kRSNa hare kRSNa kRSNa kRSNa hare hare |
hare rAma hare rAma rAma rAma hare hare ||
iti soDazakaM nAmnAM kali-kalmaSa-nAzanam |
nAtaH parataropAyaH sarva-vedeSu dRSyate ||

“The sixteen names of the Hare Krishna maha-mantra – ‘Hare Krishna Hare Krishna Krishna Krishna Hare Hare, Hare Rama Rama Rama Rama Rama Hare Hare’ --destroy all the inauspiciousness of the age of Kali. This is the conclusion of all the Vedas.”

Some renditions of the text reverse the two lines of the maha-mantra, starting with Hare Rama. The Gaudiya tradition, however, does not concur with the alternative reading. Rama-tapaniyopanisad (1.6) explains the meaning of the maha-mantra as follows:

harati tri-vidhaM tapaM janma-koti-zatodbhavam |
pApaM ca smarataM yasmAt tasmAd dharir iti smRtaH ||

“The Lord is known as Hari because He takes away the sins and three types of suffering accumulated over millions of births, of those who remember him.”

kRSir bhUr-vAcakaH zabdo nas ca nirvRti-zucakaH |
tayor aikyaM paraM brahma kRSNa ity abhidhIyate ||

“The root krs indicates the supreme attractiveness of the Lord, the suffix na indicates the supreme joy. Thus, the name Krishna indicates the Supreme Brahman who is the acme of these two characteristics.”

ramante yogino ’nante satyAnande cid-Atmani |
iti rAma-padenAsau paraM brahmAbhidhIyate ||

“The yogis take pleasure in the Supreme Self which is existence, knowledge and bliss absolute. Therefore that truth, known as the Param Brahman is also called Rama.”

The Chaitanya Upanisad published by Kedarnath Bhaktivinoda also has a reference to the Hare Krishna maha-mantra:

sa eva mUla-mantraM japati harir iti kRSNa iti rAma iti || 11 ||

“He chants the original mantra consisting of Hari, Krishna and Rama.”

harati hRdaya-granthiM vAsanA-rUpam iti hariH | kRSiH smaraNe tac ca Nas tad ubhaya-melanam iti kRSNaH | ramayati sarvam iti rAma Ananda-rUpaH | atra zloko bhavati || 12 ||

“He who removes the knot in the heart in the form of material desire, is called Hari. The union by the remembrance of the root krs- and the affix -na, is the hymn of praise - Krishna. He who gives pleasure to everything is the form of bliss - Rama. Thus the verse becomes.”

Ananta-samhita, one among the voluminous pancaratra-agamas, also suspected to be a post-Chaitanya work, states:

hare kRSNa hare kRSNa kRSNa kRSNa hare hare |
hare rAma hare rAma rAma rAma hare hare ||
SoDazaitAni nAmAni dvAtriMzad varNakAni hi |
kalau yuge mahA-mantraH sammato jIvatAraNe ||
varjayitvA tu nAmaitad durjanaiH parikalpitam |
chandobaddhaM susiddhAnta viruddhaM nAbhyaset padam ||
tArakaM brahma-nAmaitad brahmaNA guruNAdinA |
kalisantaraNAdyAsu zruti-svadhigataM hareH ||
prAptaM zrI brahma-ziSyeNa zrI nAradena dhImatA |
nAmaitad-uttamaM zrauta-pAramparyeNa brahmaNaH ||
utsRjyaitan-mahA-mantraM ye tvanyat kaepitaM padam |
mahAnAmeti gAyanti te zAstra-guru laNghanaH ||
tattva-virodha-saopRktaM tAdRzaM daurjanaM matam |
sravathA parihAryaM syAdAtma-hitArthinA sadA ||
hare kRSNa hare kRSNa kRSNa kRSNa hare hare |
hare rAma hare rAma rAma rAma hare hare ||

“‘Hare Krishna Hare Krishna Krishna Krishna Hare Hare, Hare Rama Rama Rama Rama Rama Hare Hare’ -- This sixteen-name, thirty-two syllable mantra is the maha-mantra in the age of Kali by which all living beings can be delivered. One should never abandon chanting this maha-mantra and take to other so-called purificatory processes which are practiced by rascals, or engage in chanting other metrical compositions of the name of Krishna that are against the pure conclusions of the scriptures, or are filled with rasabhasa.
About this divinely spiritual maha-mantra, which delivers one from material existence, the original guru, Lord Brahma, has said, kali-santararadi srutite, ‘The srutis have declared this mantra to be the best means of deliverance in the age of Kali’. Having all heard this from Brahma, the sons and disciples of Brahma, beginning with Narada, all accepted the Hare Krishna maha-mantra and, having meditated on it, attained perfection.”

In Jnanamrita Sara, a scripture belonging to the Pancaratrika corpus of literature, the following statement is found:

ziSya ‘syodaG mukha-sthasya harer-nAmAni SoDaza |
saMzrAvyaiva tato dagdhAn mantraM trai-lokya-mangalam ||

“Located next to him (the guru), the disciple should hear the sixteen names of Hari from his mouth, thus taking shelter of the mantra which protects from inauspiciousness and causes auspiciousness for the three worlds.”

In the Brahma Yamala, belonging to the tantrika corpus of literature, the following statement is found:

hariM binA nAsti kiJcat pApani-stArakaM kalau |
tasmAl-lokod-dhArANa-ArthaM hari-nAma prakAzayet ||
sarvatra mucyate loko mahA-pApAt kalau yuge |
hare-kRSNa-pada-dvandvaM kRSNeti ca pada-dvayam ||
tathA hare-pada-dvandvaM hare-rAma iti dvayam |
tad-ante ca mahA-devI rAma rAma dvayaM vadet ||
hare hare tato brUyAd harinAma samud dharet |
mahA-mantraM ca kRSNasya sarvapApa praNASakamiti ||

“Without Hari, there is no way to eradicate the sins of the age of Kali, and therefore it is essential that Hari-nama should be manifest in all the worlds. In this way the entire world can be delivered from the great sins of the age of Kali. First one should twice chant ‘Hare Krishna’, then twice ‘Krishna’, then twice ‘Hare’, then twice ‘Hare Rama’, and in the end, O Maha-Devi, one should chant ‘Rama’ twice, and then ‘Hare Hare’. In this way one should pronounce Krishna’s Hari-nama maha-mantra, which destroys all sins.”

In the Radha Tantra, the following discussion is found:

zRNu mAtarmahAmAye vizva-bIja-svarUpiNi |
hari nAmno mahAmAye kramaG vad surezvari ||

“Hear me, O mother Mahamaya, seed of the universe personified, mistress of the gods! Please explain the sequence of Hari-nama.”

hare kRSNa hare kRSNa kRSNa kRSNa hare hare |
hare rAma hare rAma rAma rAma hare hare ||
dvAtriM zadakSarANyeva kalau nAmAni sarvadam |
etanmantraM suta zreSTha prathamaM zRNuyAnnaraH ||

“O best of sons! ‘Hare Krishna Hare Krishna Krishna Krishna Hare Hare, Hare Rama Hare Rama Rama Rama Hare Hare’, these thirty-two syllables and sixteen names are always the names for the age of Kali. This mantra should be first heard by all human beings.”

References to Maha-Mantra - Post-Chaitanya Tradition

The following is a slightly contextualized compilation of references on the Hare Krishna maha-mantra from the writings of Sri Chaitanya's followers.

Dhyanacandra Gosvami describes the Hare Krishna maha-mantra in his Gaura Govindarcana-smarana-paddhati (132-136) in the following words, drawing from the Sanat-kumara Samhita:

asyaiva kRSNa-candrasya mantrAH santi trayo ’malAH |
siddhAH kRSNasya sat-prema-bhakti-siddhi-karA matAH ||131||
tatrAdau mantroddhAro yathA sanat-kumAra-saMhitAyAm--
hare-kRSNau dvir AvRttau kRSNa tAdRk tathA hare |
hare rAma tathA rAma tathA tAdRg ghare manuH ||132||
hare kRSNa hare kRSNa kRSNa kRSNa hare hare |
hare rAma hare rAma rAma rAma hare hare ||133||

“There are three Krishna-mantras that are very pure and powerful; they are famous for bestowing prema-bhakti on their chanters.
A reference for the first mantra is from the Sanat-kumara-samhita:
‘The words Hare Krishna are repeated twice, and then Krishna and Hare are both separately twice repeated. In the same way, Hare Rama, Rama and Hare are twice repeated.’
The mantra is thus: ‘Hare Krishna Hare Krishna Krishna Krishna Hare Hare Hare Rama Hare Rama Rama Rama Hare Hare’”

asya dhyAnaM yathA tatraiva--
dhyAyed vRndAvane ramye gopa-gobhir alaGkRte |
kadamba-pAdapa-cchAye yamunA-jala-zItale || 134 ||

rAdhayA sahitaM kRSNaM vaMzI-vAdana-tat-param |
tribhaGga-lalitaM devaM bhaktAnugraha-kArakam || 135 ||

vizeSato dazArNo ’yaM japa-mAtreNa siddhi-daH |
paJcAGgAny asya mantrasya vijJeyAni manISibhiH || 136 ||

“The meditation which accompanies this maha-mantra is also found in the Sanat-kumara Samhita: Sri Krishna is sporting in the cooling waters of the Yamuna, or in the shade of a kadamba tree in the beautiful Vrindavana forest. He is ornamented (surrounded) by the cows and gopas, and is accompanied by Sri Radha. He is very skillful at playing the flute as He stands in a charming tribhanga pose, bestowing mercy and kindness upon the bhaktas. Merely with this japa, perfection in this specific vision is attained. The wise know the five limbs of the mantra thus.”

Gopala Guru Gosvami, drawing from the Brahmanda Purana (and adding the second stanza), has presented the following meaning for the maha-mantra:

vijJApya bhagavat-tattvaM cid ghanAnanda vigraham |
haratyavidhaM tatkAryamato haririti smRtaH ||
harati zrI-kRSNa-manaH kRSNAhlAda-svarUpinI |
ato harety anenaiva zrI-rAdhA parikIrtitA ||
AnandaikasukhaH zrImAn zyAmaH kamala locanaH |
gokulAnando nanda-nandanaH kRSNa Iryate ||
vaidagdhI sArAsarvasvaM mUrtalIlA dhidaivatam |
zrI rAdhAM ramayan nityaM rAma ity abhidIyate ||

“The Lord is known as Hari because he takes away the ignorance of his devotees by revealing to them the actual nature of the Supreme Lord and his personal spiritual form.
Because She steals Krishna's mind, because She is the incarnation of Krishna's joy, Radha is also known by the name Hara.
The dark, lotus-eyed lord, the only master of the highest joy, who brings pleasure to Gokula, the son of Nanda, is known as Krishna.
Krishna is also known as Rama because the joys of conjugal life are the essence of his being, because he is the titulary deity of loving sports incarnate, and because he brings pleasure to Srimati Radharani.”

Rupa Gosvami praises the Hare Krishna maha-mantra in his Laghu Bhagavatamritam (1.4):

zrI-caitanya-mukhodgIrNA hare-kRSNeti varNakAH |
majjayanto jagat premNi vijayantAM tad-AhvayAH || 4 ||

“The syllables ‘Hare Krishna’ and so forth emanated from the mouth of Sri Caitanya, drowning the universe in prema. Let these names be glorified!”

He longs to again attain the darsana of Sri Caitanya’s calling out the holy names, as presented in Stavamala, Prathama Caitanyastakam (5):

hare kRSNety uccaiH sphurita-rasano nAma-gaNanA-
kRta-granthi-zreNI-subhaga-kaTi-sUtrojjvala-karaH |
vizAlAkSo dIrghArgala-yugala-khelAJcita-bhujaH
sa caitanyaH kiM me punar api dRzor yAsyati padam || 5 ||

“When will Sri Caitanya Mahaprabhu - whose tongue is always dancing by loudly calling out ‘Hare Krishna!’; who counts the names which He is calling out on the splendorous strip of cloth from around His waist which has been tied with knots for chanting; whose eyes are so large that they seem to reach His ears; and whose arms extend down to His knees - again become visible to me?”

Here the word “uccaih”, “loudly”, is used for Mahaprabhu’s chanting of Hare Krishna. Baladeva confirms in his Stava-mala-vibhusana-bhasya that this indeed refers to the thirty-two syllable maha-mantra:

hare kRSNeti mantra-pratIka-grahaNaM. soDaza-nAmAtmanA dvAtrIMza­daksareNa mantreNoccair-uccAritena sphuritA kRta-nRtyA rasanA jihvA yasya saH ||

“The Hare Krishna mantra was resounding in His mouth. The mantra consisting of sixteen names and thirty-two syllables was uttered and dancing on His tongue.”

Raghunatha Das Gosvami states in his Saci-Sunvastakam (5):

nijatve gauDIyAn jagati parigRhya prabhur imAn
hare-kRSNety evaM gaNana-vidhinA kIrtayata bhoH |
itiprAyAM zikSAM janaka iva tebhyaHparidizan
zacI-sUnuH kiM me nayana-zaraNIM yAsyati punaH || 5 ||

“When will that son of Mother Saci – who, taking the residents of Bengal as His own, inspired them to chant Hare Krishna a prescribed number of times daily and who like a father gave them many cherished instructions – again become visible to me?”

This verse uses the word “kirtayata” to describe Mahaprabhu’s chanting, adding that this chanting is “ganana-vidhina”, “counted as prescribed.” Sarvabhauma Bhattacarya states in his Caitanya Satakam (64):

vizaNNa cittAn kali pApa-bhItAn
saMvIkSya gauro hari nAma mantraM |
svayaM dadau bhakta janAn samAdizat
kuruSva saGkIrtana-nRtya vAdyaiH || 64 ||

“Seeing the people of the world afraid of the sins of the age of Kali and dejected at heart, Sri Caitanya Mahaprabhu personally gave them the hari nama mantra and also ordered them to do loud sankirtana of this maha­mantra while dancing and playing musical instruments.”

Prabodhananda Sarasvati states in his Vrindavana Mahimamrita (17.89):

hare kRSNa kRSNeti mukhyAn
mahAzcarya-nAmAvalI-siddha-mantrAn |
kRpA-mUrti-caitanya-devopagItAn
kadAbhyasya vRndAvane syAn kRtArthaH || 89 ||

“Sri Caitanya Deva, the very form of mercy, sung the perfected mantra, ‘Hare Krishna, Krishna’ and so forth. When will He give His favor to me, causing me to attain Sri Vrindavana?”

Prabodhananda also states in his Caitanya Candramritam (16):

badhnan prema-bhara-prakampita-karo granthIn kaTI-DorakaiH
sankhyAtuM nija-loka-mangala-hare-kRSNeti-nAmnAM japan |
azru-snAta-mukhaH svam eva hi jagannAthaM didRkSur
gatA-yAtair gaura-tanur vilocana-mudaM tanvan hariH pAtu vaH || 16 ||

“Engaged in japa of Hare Krishna and so forth, His own holy names which bring auspiciousness to the world, His hand trembling with love as He touches the knotted string about His waist to count the number of names, His face bathed in tears as He comes and goes, eager to see His own form of Lord Jagannatha, and bringing great delight to the eyes of all – may the golden form of Lord Hari protect you all.”

Kavi Karnapura describes the shaving-ceremony of Sri Caitanya in his Caitanya Carita Mahakavya (11.54):

tataH zrI gaurAGgaH samavadad atIva pramudito hare kRSNety uccair vada muhur iti zrImaya tanuH |tato ’sau tat procya pratibalita romAJca lalito rudaMs tat tat karmArabhata bahu-duHkhair vidalitaH || 54 ||

“When Sri Gauranga accepted sannyasa, the barber took the blade in his hand but was not able to shave any of the Lord’s curly locks out of grief. In great ecstasy Sri Gauranga Deva told him to repeatedly chant Hare Krishna out loud. Then the barber loudly chanted the same and began his job of shaving while he wept and his body was studded with goose pimples.”

Vrindavana Das describes the Lord’s instructions to Tapana Misra in the Caitanya Bhagavata (1.14.143-147) as follows:

sAdhya-sAdhana-tattva ye kichu sakala |
hari-nAma-saGkIrtane milibe sakala || 143 ||
harer nAma harer nAma harer nAmaiva kevalam |
kalau nAsty eva nAsty eva nAsty eva gatir anyathA || 144 ||
hare kRSNa hare kRSNa kRSNa kRSNa hare hare |
hare rAma hare rAma rAma rAma hare hare || 145 ||
ei zloka nAma bali laya mahA-mantra |
zola-nAma batriza-akSara ei tantra || 146 ||
sAdhite sAdhite yabe premAGkura habe |
sAdhya-sAdhana-tattva jAnibA se tabe || 147 ||

“Everything is accomplished by Hari-nama sankirtana, including the goal of life (sadhya) and the means for its attainment (sadhana). In this age of Kali, the only means for deliverance is the chanting of the names of Hari. There is no other way, there is no other way, there is no other way. ‘Hare Krishna Hare Krishna Krishna Krishna Hare Hare, Hare Rama Hare Rama Rama Rama Hare Hare.’ This verse of names is called the maha-mantra. It contains sixteen names of the Lord, consisting of thirty-two syllables. Chanting this mantra again and again will awaken the sprout of prema within the heart, and thus the goal of life and the means for its attainment is understood.”

The following famous instructions of Sri Caitanya are related in the Caitanya Bhagavata (2.23.75-78):

Apane sabAre prabhu kore upadeze |
kRSNa-nAma mahA-mantra zunoho hariSe || 75 ||
hare kRSNa hare kRSNa kRSNa kRSNa hare hare |
hare rAma hare rAma rAma rAma hare hare|| 76 ||
prabhu kohe kohilam ei mahA-mantra |
iha japa giyA sabe koriyA nirbandha|| 77 ||
iha hoite sarva-siddhi hoibe sabAra |
sarva kSaNa bolo ithe vidhi nAhi Ara || 78 ||

“The Lord ordered everyone in great joy: ‘Listen to the Krishna-nama maha­mantra: Hare Krishna Hare Krishna Krishna Krishna Hare Hare, Hare Rama Hare Rama Rama Rama Hare Hare.’ The Lord said: ‘I have spoken the maha­mantra. Perform japa of this mantra a prescribed number of times. All perfection will be attained through this. Chant this mantra every moment – there is no other rule.’”

Vrindavan Das describes the meeting of Sri Caitanya and Advaita as follows:

prasanna zrI mukhe hare kRSNa kRSNa bali |
vijaya hailA gauracandra kutUhalI ||
hare kRSNa hare kRSNa bali prema sukhe |
pratyakSa haila Asi advaita-sammukhe ||

“One day when He came to the home of Advaita Acarya, His face filled with pleasure as He chanted the Hare Krishna maha-mantra.”

Then let us turn to the various statements of the Caitanya Caritamrita which appear to be references to the Hare Krishna maha-mantra. In this work, the Hare Krishna maha-mantra is nowhere listed in its entire length. The following excerpts are from the Adi-lila (7.72, 78, 81, 83), describing the exchange between Sri Caitanya and the sannyasis of Benares:

mUrkha tumi, tomAra nAhika vedAntAdhikAra |
kRSNa-mantra japa sadA ei mantra-sAra || 72 ||

“You are a fool, you have no eligibility for Vedanta. Always do japa of the Krishna-mantra, the essence of all mantras.”

dhairya dharite nAri, hailAma unmatta |
hAsi, kAndi, nAci, gAi, yaiche madamatta || 78 ||

“Unable to maintain my patience, I have become maddened. I laugh, cry, dance and sing like a madman.”

kibA mantra dilA, gosAJi, kibA tAra bala |
japite japite mantra karila pAgala || 81 ||

“What kind of mantra you have given, Gosai, and what is its power? By constantly engaging in japa of this mantra, I have become mad!”

kRSNa-nAma-mahA-mantrera ei ta’ svabhAva |
yei jape, tAra kRSNe upajaye bhAva || 83 ||

“It is the nature of Krishna-nama maha-mantra that anyone who does japa of it, in him bhava for Krishna awakens.”

There are numerous references of someone chanting “Hari, Krishna”. Here Mahaprabhu inspires others to chant the holy names (Madhya-lila, 7.97-98):

ei zloka paDi pathe calilA gaurahari |
loka dekhi’ pathe kahe bala hari hari || 97 ||
sei loka prema-matta haJA bale hari kRSNa |
prabhura pAche saGge yAya darzana-satRSNa || 98 ||

“Reciting this verse (Krishna He…), Gaurahari walked along the path. Seeing people on the way, He told them, ‘Say Hari Hari!’ These people became maddened in prema, saying ‘Hari Krishna!’ They would follow behind the Lord, being eager to see Him.”

The Muslim messenger in Madhya-lila (16.168) also chanted “Hari Krishna”:

eta kahi sei cara hari kRSNa gAya |
hAse kAnde nAce gAya bAulera prAya || 168 ||

“Saying this, that messenger sang ‘Hari Krishna!’, laughed, cried, danced and sang like a madman.”

Also in Madhya-lila (17.159) we have an example of two brahmanas chanting “Hari Krishna”:

duGhe preme nRtya kari’ kare kolAkuli |
hari kRSNa kaha duGhe bale bAhu tuli’ || 159 ||

“Both of them danced and embraced in ecstatic love, uttering “Hari Krishna”, thus both of them sang, raising their arms.”

Upon the departure of Haridas, everyone chanted “Hari Krishna!” (Antya, 11.58):

hari kRSNa zabde sabe kare kolAhala |
premAnande mahAprabhu hailA vihvala || 58 ||

“All of them very loudly chanted ‘Hari Krishna!’ in the bliss of ecstatic love, and Mahaprabhu became overwhelmed.”

In Antya-lila (9.55-57), Mahaprabhu inquires about Vaninatha Raya:

ethA prabhu sei manuSyere prazna kaila |
vANInAtha ki kare, yabe bAndhiyA Anila || 55 ||

se kahe vANInAtha nirbhaye laya kRSNa-nAma |
hare kRSNa hare kRSNa kahe avizrAma || 56 ||

saGkhyA lAgi dui-hAte aGgulIte lekhA |
sahasrAdi pUrNa haile aGge kATe rekhA || 57 ||

“Prabhu inquired from him, ‘What was Vaninatha doing when he was arrested?’ He replied, ‘Fearlessly Vaninatha was chanting the name of Krishna, incessantly he chanted “Hare Krishna, Hare Krishna.” He used the fingers of his two hands for counting, and upon completing one thousand, he made a mark on his body.’”

Thus no specific references to sankirtana of Hare Krishna maha-mantra are found in the Caitanya Caritamrita, though sankirtana of Krishna’s names is mentioned, as well as japa of maha-mantra.
The following instance of Sri Caitanya’s chanting the maha-mantra is found in the Caitanya Mangala of Locana Das:

bAhu prasAriyA prabhu brAhmaNe tulilA |
tAra ghare bhakti bhare gAna AraMbhilA ||
brAhmaNera ghara yena haila vRndAvana |
hari-nAma zunibAre Aise sarva-jana ||
hare kRSNa hare kRSNa kRSNa kRSNa hare hare |
hare rAma hare rAma rAma rAma hare hare ||

“Once Mahaprabhu visited the home of a brahmana and embraced him. The kirtana that followed made that home become just like Vrindavana and a multitude of people gathered to hear and chant the holy names: ‘Hare Krishna Hare Krishna Krishna Krishna Hare Hare, Hare Rama Hare Rama Rama Rama Hare Hare’.”

The 15th chapter of the Caitanya Mangala relates:

“Keeping His hands above His head, He started chanting over and over, ‘Hare Krishna Hare Krishna’.”

Locan Das also states:

hare kRSNa nAma seho bole nirantara |

“He constantly chanted the holy names ‘Hare Krishna’”.

Wednesday, January 14, 2009

Gaudiya.Com: Practice

  A sadhu engaged in meditation

A profound conception of divine truths naturally leads one to adopt various practices in obtaining the desired goal of life. While faith in the precepts of the tradition is certainly desirable, it is not sufficient in itself. There must be a method of practically realizing the truth of the object of our faith. This method is collectively called "sadhana", the means of attainment.

In the Gaudiya Vaishnava tradition, the essential outline for all practices is presented as follows by Rupa Gosvami in his Bhakti Rasamrita Sindhu, which is one of the core texts for the tradition:

"One should remember Krishna along with His dear eternal associates of one's own preference. With attachment to discussions about them, one should always live in Vraja."

"One should serve both in his physical body and in his internally conceived spiritual body, following in the footsteps of the residents of Vraja, desiring to obtain a mood similar to theirs."

"On the path of raganuga-bhakti, one should also adopt the limbs of vaidhi-bhakti, such as hearing about Krishna and glorifying Him. Thus the great sages have concluded."

The object of practice, as is evident from the above, is to attain a position similar one to the eternal associates of Krishna in the realm of Vraja, the pinnacle of the spiritual world, thus exquisitely serving the Supreme Person with all of one's loving feelings.

Congregational chanting

PRELIMINARY INSTRUCTIONS

In Upadesamrita (Nectarine Instructions), Rupa Gosvami delineates six items detrimental for devotion and six items conducive for devotion, which are to be deeply considered and adopted by all sincere aspirants.

Six items detrimental to the development of devotion are as follows: (1) eating too much or collecting more than necessary, (2) endeavours which are opposed to bhakti, (3) useless mundane talks, (4) failure to adopt essential regulations or fanatical adherence to regulations, (5) association with persons who are opposed to bhakti, and (6) ardent longing for the mundane.

Six items favorable for the development of devotion are as follows: (1) enthusiasm, (2) firm faith, (3) patience and fortitude even amidst obstacles, (4) performance of proper activities, (5) giving up undesirable association, and (6) molding one's life similar to that of earlier saints.



TWO VARIETIES OF PRACTICE

The practices are divided into two main categories, which are as follows:

(1) Service in the physical body -- In his physical body, the aspirant follows in the footsteps of the great teachers of the past, engaging in various activities such as associating with saints, chanting the holy names, hearing discourses about the philosophy and the pastimes of Sri Krishna and His beloved associates, worshiping the Deity form of the Lord on the altar, and residing in a holy place. This will be elaborated upon later on in this presentation.

(2) Service in the internally conceived body -- In his internally conceived spiritual body, which is suitable for rendering particular services to the Divine Couple, the aspirant engages in the practice of smarana, rememembrance. This service has two phases, namely static meditation and dynamic meditation. They are understood as follows:

(1) Mantramayi-upasana (static meditiation) -- The aspirant meditates on the Divine Couple seated in the midst of yogapitha (seat of union) formed in the shape of an eight-petaled lotus. The Divine Couple are surrounded by Their confidantes, namely the eight sakhis (girl-friends), who are located on the inner eight petals of the lotus, and the eight manjaris (maidservants) who are located on the next eight petals of the lotus. Following his guru who has assumed a form similar to the confidantes of the Divine couple, the aspirant renders various services to everyone in his own internal guru-given form of a maidservant.

(2) Svarasiki-upasana (dynamic meditation) -- The aspirant meditates on the eight-fold daily pastimes of the Divine Couple, rendering various services which have been assigned to him (her) by the guru, and which are appropriate for the ongoing pastime. Generally the meditation on the daily pastimes of Radha-Krishna is preceded by a shorter contemplation on the corresponding daily pastimes of Sri Chaitanya, who is understood to Krishna Himself in the form of His devotee.

The practices of the aspirant naturally begin with the services performed with the physical body. In the course of time, as his understanding and ability of concentration increase, the internal practices become more and more prominent. However, the two are never to be separated from each other. They are to be adopted in a relationship of interdependence, where progress in one nourishes the other.



PROMINENT ASPECTS OF PRACTICE

The practices undertaken with the physical body will naturally be the prominent side of practice in the eyes of the world. Moreover, the internal, esoteric practices are not the subject matter of elaborate public discourses. Therefore, we shall focus on the external practices, which are of paramount importance in attaining genuine internal absorption in love of God.

In his Bhakti Rasamrita Sindhu, Rupa Gosvami has divided the various practices of bhakti in sixty-four categories, beginning with accepting a spiritual teacher (guru), receiving initiation and instructions from him, serving him, living a life following in the footsteps of the saints, and inquiring about matters of worship (bhajana). An extensive discourse on this matter is not in place in this context, so we shall only focus on five of them, which were declared as the most important by Sri Chaitanya.


(1) Sadhu-sanga
(Associating with Saints)


In the scriptures, association with saints is declared to be the root cause of love and devotion to the Lord. In the association of saints, all aspects of devotional service become perfected. They are a living example of a practical life of devotion.

One should render service to saints and offer them items they need, and lovingly accept whatever they offer in turn. One should reveal his mind to them in confidence, and carefully hear their realized instructions. One should feed them and accept their remnants with respect and devotion as a form of their grace.

Anyone who has taken up the path of spiritual life is certainly a saintly person. However, to reap the full benefit of association, one has to discriminate between devotees of different grades. One should respect in his mind everyone who is inclined towads spiritual life, one should offer respects to and make friends with the one who is initiated and firm in his devotion, and one should lovingly serve the one who is realized in exclusive devotional worship of the Lord and whose heart is completely pure from the tendency to defame others and so on.

Moreover, since there are certainly saints in many traditions, one should seek the association of those who are endowed with a similar inclination on the path of devotion. One should always seek the association of such saints who are affectionate towards oneself and more advanced than oneself. On the merit of such association, all spiritual practices will rapidly yield the fruit of love of God.


(2) Nama-kirtana
(Chanting the Holy Names)


The holy name of the Lord is nondifferent from His own form, qualities and pastimes. Therefore the chanting of the holy names is considered an integral part of practice in the Gaudiya tradition. hanting of the holy names is known to be of two kinds, namely "japa" and "kirtana".

Japa -- Japa is individual meditation on the holy name, during which the aspirant quietly murmurs the holy names while keeping count on a mala (rosary) of 108 beads. According to the instructions of Sri Chaitanya, Gaudiya Vaishnavas chant the maha-mantra (great mantra) which is as follows:

Hare Krishna Hare Krishna
Krishna Krishna Hare Hare
Hare Rama Hare Rama
Rama Rama Hare Hare

This mantra consists of three divine names, namely Hara, Krishna and Rama. Hara, which becomes Hare in its vocative case, refers to She who steals the mind of Krishna, in other words Radha. Krishna refers to the all-attractive original person. Rama is another name for Him, meaning the one who brings delight to Radha and who enjoys varieties of transcendental sports.

In addition to the maha-mantra, panca-tattva mantra is often chanted prior to it. Panca-tattva mantra consists of the names of Sri Chaitanya and His four associates, namely Nityananda, Advaita, Gadadhara and Srivasa, along with "Gaura-bhakta-vrinda" (all devotees of Sri Chaitanya). There are slight variations for this mantra from lineage to lineage, but the basic pattern is the same.

Practitioners chant the holy name according to their capacity, completing a fixed number of names for each day. Sri Chaitanya recommended His followers to chant one lakha (100.000 names), which corresponds to some 64 rounds on the rosary. The counting of malas (rounds on the rosary) is done with a separate string of beads consisting of 16 small beads on one side and four on the other, meant for counting individual rounds and sets of 16 rounds respectively. The specific number of holy names to be completed each day is largely individual, and varies from a few hundred names to hundreds and thousands of names. It is common for dedicated saints to chant 100.000, 200.000 or 300.000 holy names (64, 128 and 192 rounds on rosary) per day.

As the eagerness and insight of the aspirant increases, the holy name reveals Himself proportionately unto him, eventually unfolding the entire world of divine reality along with the daily pastimes of the Divine Couple within the heart of the aspirant.

Kirtana -- Kirtana refers to the glorification of the holy names which is done aloud, often with the accompaniment of mridanga (clay drum) and karatalas (hand cymbals). When many faithful aspirants gather for loudly singing the holy names of the Lord, this is called sankirtana. Such kirtana is sometimes performed in the temples, and sometimes out on the streets in processions.

This sankirtana is understood to be the foremost among the sixty-four items of devotional practice. On account of its great ability for absorbing all senses in experiencing the sweetness of the Supreme Person, it is regarded as the most potent among all varieties of practice. Whereas many other practices depend on the lucidity of the practitioner's mind or on his ability of concentration, nama-sankirtana does not consider this, but instead plunges the aspirant in an ocean of divine happiness regardless of his qualification or lack thereof. During the modern age, it is understood that all devotional practices must be accompanied by nama-sankirtana to yield the fruit of pure loving devotion.

Sri Chaitanya glorified the paramount position of Krishna-sankirtana in the first stanza of His Siksastakam (Eight Instructions) as follows:

"May there be supreme victory for the congregational chanting of the names of Krishna! It cleanses the mirror of the heart, and extinguishes the great forest-fire of material existence. It is a great moon spreading its soothing rays, bringing to bloom the white lotus of good fortune of the living entitiy. The holy name is the life and soul of the young bride of divine wisdom, and an ever-increasing ocean of ecstacy, and by tasting it, the self becomes thoroughly cleansed, and comes to taste at every step the complete nectar it has always longed for."

The practice of nama-sankirtana is unequivocally recommended for one and all, since there are no hard and fast rules for it. It does not depend on time, place, person, articles of worship, purity or impurity. In whatever situation the holy names of the Lord are chanted, they prove to be beneficial for everyone.



(3) Bhagavat-sravana
(Hearing the Srimad Bhagavatam)


The scripture Srimad Bhagavata is known as the ripened fruit of the desire-tree of Vedic literatures. The study and hearing of the Bhagavata is essential for one who aspires to understand the science of approaching the Lord. The Bhagavata itself proclaims in its invocation:

"O knowers of divine rapture, O saints of the world, O people filled with sacred emotions! Always relish the Srimad Bhagavatam, the fully ripened fruit of the desire tree of Vedic literatures, complete in all respects, which emanated from the lips of Sukadeva Gosvami like a gush of nectar, being the abode of rasa itself!"

Though all efforts of studying the Bhagavata are certainly beneficial, the most benefit will be gained by approaching a self-realized soul who is expert in understanding the intricacies of philosophy and divine love presented in the scripture. Such a saint is the living medium of divine wisdom, and has the ability to deepen our understanding of the words of the scripture.

There are ten primary subject matters delineated in the Bhagavata, which are as follows:

(1) Sarga -- The primary creation, a description on the Lord as the origin of the elements of this world;
(2) Visarga -- The secondary creation, a description of the constituents and creation of this world;
(3) Sthana -- Various abodes where the living entities dwell, among which teh spiritual world is supreme;
(4) Posana -- The protection and care of the Lord for those depending on Him;
(5) Uti -- The impetus for action, an analysis of the various dispositions of the living entities in this world;
(6) Manvantara -- Descriptions of the cosmic ages of Manu, histories from the past ages;
(7) Isanukatha --The various descents of the Lord and His activities together with His great devotees;
(8) Nirodha -- The eventual withdrawing of the cosmic manifestation by the Lord;
(9) Mukti -- Liberation from the bondage of matter and the attainment of one's constitutional nature;
(10) Asraya -- The ultimate shelter of everything, the ever-independent Supreme Person.

The Bhagavata reveals its profound philosophical and theological precepts in the course of narrating various histories describing the Lord and His devotees. A comprehensive study of the Srimad Bhagavatam enables the aspirant to understand his relationship with the Lord, the dynamics of such a relationship, and its ultimate goal.

It should be understood that the practice of hearing the Bhagavata also includes hearing and discussing literature following in the wake of the message of the Bhagavata. Over the centuries, innumerable saints and sages have elaborated on the original message of the Bhagavata in accordance with their divine insight, and the study and hearing of such writings is also most beneficial in deepening one's understanding and realization.

The Bhagavata itself describes the fruit of such hearing:

"The Supreme Lord rapidly manifests in the heart of one who faithfully endeavors to always hear the message of the Bhagavata. Through the holes of their ears, the Lord descends to the lotus of his heart, awakening his unique, natural disposition towards Him, and cleansing him from all mundane evils, such as lust, greed, anger and so forth, just as fresh autumnal rains clear the muddy pools of water."

There are innumerable beautiful writings describing the Lord's name, form, characteristics and pastimes with His beloved associates. Attentive hearing of such descriptions awakens a feeling of natural attraction towards the Lord and creates a powerful impetus for progressing on the journey for divine love for the Lord.


(4) Mathura-vasa
(Living in the Holy Land of Mathura)


When the Lord descends to this world with His eternal associates, His divine abode descends along with Him to serve as His playground in this world. This holy abode of the Lord manifest in the earthly realm is an exact replica of the celestial world in the realm beyond. Mathura Mandala and Vraja Mandala are two names for the sacred abode where Sri Krishna enacted His pastimes some 5000 years ago.

Though such a place may appear to us as just another territory in the mundane world, it appears as such only on account of our mundane vision. The imperfect beings of this world lack the eyes to see the divine world of the Lord, which is ever-permeated with love divine. However, in the course of practice our senses and mind are purified, which enables us to behold the divine realm of Vraja instead of its illusory covering manifest to our present eyes.

The various places around Vraja Mandala are a perfect impetus for invoking remembrance of the Lord's pastimes within the heart, and the association of saints living in such places, spending their time in absorption in thoughts of the Lord, can never fail to leave one empty-hearted. However blinded one may be, he can never escape the supramundane potency of such a holy place. For those unable to live in or visit places such as Vraja Mandala, it is advised that one should live there mentally by being absorbed in thoughts of the Lord's pastimes there.

The land of Vraja Mandala is divided in twelve forests, spreading over 84 krosas (168 square kilometers). They are collectively known as Vrindavana, or the forest of Vrinda, named after Vrinda Devi, the goddess presiding over the forests, making all varieties of delicate arrangements to perfect the loving pastimes of the Divine Couple. In his "Nectarine Instructions", Rupa Gosvami presents a hierarchy of divinity among the holy places within and outside the district of Vraja:

"The city of Mathura is superior to the spiritual world of Vaikuntha, since the Lord Himself appeared there. Superior to Mathura is the forest of Vrindavana, since Krishna displayed His pastime of rasa-lila (circle dance) there. Superior to Vrindavana is the Govardhana hill, which was lifted by the Lord Himself, and where He enacted numerous pastimes with His dear associates. However, above all is the lake known as Radha Kunda, since it is overflooded with the nectarine blissful loving plays of the Lord of Gokula. Where is that discriminating person who would not desire to serve this divine lake situated at the foot of Govardhana hill?"

Vraja Mandala is saturated with divine love, being the personal playground of the Lord, and therefore it is a most befitting place for an aspirant who desires to perfect his spontaneous loving propensity for the Divine Couple.


(5) Sri-murti-seva
(Serving the Worshipable Form of the Lord)


The transcendental form of the Lord is beyond the grasp of mundane sense perception. However, since there is a need for the practitioners to render concrete service for the Lord, in His kindness He assumes a form consisting of the elements of this world, visible to humans. Such a form of the Lord is called an arca-vigraha (form to be worshiped) or an arca-avatara (an incarnation for worship), commonly referred to as a deity-form of the Lord.

Faithful service to the deity of the Lord allows the aspirant to establish a personal relationship of service with the Lord by cooking for Him, preparing clothes for Him, singing for Him, arranging festivals in His celebration, offering incense and flowers unto Him, and so forth.

The deity forms of the Lord are of eight kinds: (1) Made of stone, (2) made of wood, (3) made of metal, (4) made of earth, (5) painted, (6) made of sand, (7) envisioned in the mind, and (8) made of jewels. After the completion of the deity form, the Lord is invoked into this form by a dear devotee of the Lord, a loving servant of His. Thus the Lord appears among the elements of this world to accept the loving service of His devotees.

In addition to facilitating the development of a personal relationship with the Lord, the process of arcana (deity worship) helps the practitioner to become clean and regulated on account of the various ceremonies to be observed in relation to serving the Lord. The maintenance of both external and internal purity is essential for securing sound progress on the path of spiritual life. The practice of deity worship is particularly essential for people who are living and working in the society, since it very tangibly ensures that the service of the Lord remains the centre of all endeavors. The deity forms of the Lord are often found in temples where people gather for worship, but it is equally common for devotees to have their own deity form whom they worship at home.

The most common deity forms worshiped in the Gaudiya tradition are the forms of Radha-Krishna, who are installed on the altar side by side. Such service follows in the wake of the eternal maidservants of the Divine Couple, and facilitates the development of such a desired mood. Sometimes the forms of Sri Chaitanya and His brother Nityananda are installed on the altar and are served in their loving pastimes in the realm of Navadvipa. Though not as common as Nityananda, His dear associate Gadadhara is also seen on altars alongside with Him, and sometimes the complete pentatheon (Panca Tattva) of the Lord in His various aspects is worshiped.

The exact procedures of worship vary from lineage to lineage. The aspirant is acquainted with particular methods of worship at the time of diksa (initiation), when the guru conveys to him the mantras to be contemplated upon and to be used in his worship along with instructions on the same. The process of arcana also includes certain internal aspects of visualized worship of the Divine Couple to be conducted in addition to the outer worship.

Though some of the practices presented herein may appear rather demanding, it should be noted that everyone may adopt them according to their particular eligibility and evolve over time closer to perfection. There is certainly a long journey to be wandered in obtaining love of God, but a sincere practitioner will experience joy on every step in approaching the object of his aspirations.